Could that be on the cards for the future of the film series? Dwayne ‘The Rock’ Johnson has been attached to the role of Black Adam for years now, and while he gets an executive producer credit on Shazam! – which does make you wonder if a cameo might be in store – he sadly doesn’t appear anywhere in the post-credits scenes. In the comics, Sivana goes on to summon Black Adam as another foe for Billy Batson/Shazam. In the comics, he often works alongside the Monster Society Of Evil (there’s really no ambiguity if you call your organisation that, is there?), and has teamed with Sivana in The New 52 run of the comics, from which the film most closely takes inspiration.Ĭaptain Marvel post-credits scenes (opens in new tab) explained - what happens and what it means for Avengers: Endgame But he’s presumably Mister Mind, a supervillain from the comics. It’s not clear what he’s doing at that point, or that he’s even sentient, as he seemed like a bit of a quirky background detail. He’s actually briefly glimpsed earlier in the film (in a non-speaking part) residing in the Rock of Eternity. That’s pretty much it for the scene, so you might be left wondering who the little worm guy is. “You assume there’s only one way to get magic,” teases the little creature. The scene then gets delightfully weird, when a worm-like creature who’s something like a sinister version of the caterpillar from Alice in Wonderland appears at the window and starts laying out a plan of action for Sivana. But it seems that now, his frantic scribblings are not allowing him to return to the Rock of Eternity – possibly because Shazam broke the wizard’s staff after giving his foster siblings powers. You know, that magic temple-like place where Djimon Hounsou's ancient wizard was waiting to bestow powers on a worthy champion? And yeah, Sivana wasn’t worthy, so when he eventually found his way back there, he teamed up with the seven deadly sins monsters to become a supervillain. If the wall scrawlings are anything to go by, he’s spent his entire time inside drawing the seven magic symbols that enabled him to get to the Rock of Eternity in the first place. Here you learn that Mark Strong’s villainous Dr Thaddeus Sivana, who was roundly trounced in the film’s final-act showdown at the funfair and stripped of his seven deadly sins-based powers, wasn’t killed in that big battle (as you’d kind of assume) but has instead been incarcerated in a thickly padded cell. If you are writing a comment for publication, please mark clearly "for publication".The most anticipated upcoming DC Extended Universe movies (opens in new tab) of 2019 and beyondĪs is becoming something of a tradition for comic-book movies, the first of the two post-credits sequences – the mid-credits sequence, if you will – is the more dramatic and plot-significant of the two. To contact the MediaGuardian news desk email or phone 020 7239 9857."We plan to extend our services across Europe, the US and Asia, and this deal testifies to our commitment to achieving that goal," Mr Power added. The service will launch initially in the UK, but Mr Power said the company planned to expand the service globally. "This is a tremendous opportunity for Mean Fiddler to capitalise on the most popular method of paying for legal downloads, as our research indicates that 67% of all legal downloads are paid for using mobile phones," said the Mean Fiddler Group chairman, Vince Power. To access the service users simply dial 2580 on their mobiles, point them at the source of the music for 30 seconds and they receive a text identifying the track. Since Shazam's music recognition service was launched in the UK two years ago, more than four million songs have been tagged by mobile phone users. Under the terms of the deal with Mean Fiddler Media, the digital arm of the live music group, users will now be able to download the tracks from the internet at a cost of £1.50 a song. Mean Fiddler Music Group, which has a 35% stake in the Glastonbury Festival, claimed the new initiative would tap into the growing market for music downloads via mobile phones, especially among younger fans who do not have credit cards.
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